[Mixtape]: Every Time The Sun Comes Up

“The mountains and the canyons start to tremble and shake / The children of the sun begin to awake”

A long hot summer is officially underway and nothing goes better with good weather than sultry jams playing through the long days and warm nights. I’ve kept this mixtape pretty current with choice cuts from the last year, but there are a few oldies in there too which are celebrating birthdays this year. Whether you’re on the move to sunnier climes, or simply lazing with no particular place to go, this mixtape will see you right wherever this summer takes you. Set off, plug in and enjoy.

Tracklist:
1.
 ‘Song For Zula’ – Phosphorescent – Muchacho
2. ‘Paris’ – Little Dragon – Nabuma Rubberband
3. ‘Red Eyes’ – The War On Drugs – Lost In The Dream
4. ‘Fever’ – The Black Keys – Turn Blue
5. ‘Magnolia’ – Lee Fields & The Expressions – Emma Jean
6. ‘You’ve Got Nothing To Lose’ – Michael Kiwanuka – You’ve Got Nothing To Lose [Single]
7. ‘Going To California′ – Led Zeppelin – Led Zeppelin IV
8. ‘The Sing’ – Bill Callahan – Dream River
9. ‘Last Goodbye’ – Jeff Buckley – Grace
10. ‘Love Is To Die’ – Warpaint – Warpaint
11. ‘Every Time The Sun Comes Up’ – Sharon Van Etten – Are We There

Got any summer mixes of your own? Link them in the comments, I’d love to hear them.

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[From The Cutting Room Floor]: Eric Andersen, The Smiths and Bob Marley & The Wailers.

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Often, seeking out new music can feel like a treasure hunt (or sweeping a minefield, depending on how you look at it). And every now and then you will come across those completely unexpected diamonds-in-the-rough that appear in the form of B-sides, outtakes or bootlegged live cuts. Those happy moments where you stumble across something that stops you in your tracks and think ‘Why is this only a B-side?’. This feature is about digging out those deeper cuts that deserve more attention than mere relegation.

‘Close The Door Lightly When You Go’ – Eric Andersen
If the mark of an artist is the company they keep then Eric Andersen can be ranked up there with the best of them, having rubbed shoulders with Bob Dylan, Townes Van Zandt, Joan Baez, The Band, Lou Reed, Patti Smith, Andy Warhol and William Burroughs to name but a few. While Andersen has not shared as much of the limelight as his Greenwich Village folk scene contemporaries, his vivid songwriting about love in all its expressions has influenced and been covered by countless artists in the singer-songwriter tradition and in 2003 he was awarded the Premio Tenco for outstanding songwriting, an award previously won by Tom Waits, Leonard Cohen and Nick Cave (again, the company you keep). While later versions of ‘Close The Door Lightly When You Go’ have gathered a more upbeat pace, none of them have the same raw sense of self-loathing and loneliness as the original found on Andersen’s second album ‘Bout Changes ‘n’ Things. A documentary taking in Andersen’s ongoing fifty-plus year journey as an artist entitled The Songpoet is slated for release later this year.

‘Back To The Old House’ – The Smiths
Morrissey is set to release his tenth solo album World Peace Is None Of Your Business in July (announced by way of a tongue-in-cheek music video), and while he tends to divide opinion like Moses parts large bodies of water you’d be hard-pressed to deny the emotional weight he lends to this stripped down version of ‘Back To The Old House’ lifted from a John Peel session in 1983. Nostalgia drips from Johnny Marr’s honeyed arpeggios, complementing the forlorn quality in Morrissey’s tenor and the palpable ambivalence conveyed through understated images in lines such as “When you cycled by, here began all my dreams, the saddest thing I’ve ever seen”.

‘High Tide Or Low Tide’ – Bob Marley And The Wailers
Replete with sultry rhythms from the Barrett brothers and beautiful harmonies from Peter Tosh and Bunny Wailer, ‘High Tide Or Low Tide’ makes perfect listening for the nights drawing longer. It was recorded during the sessions for The Wailers’ Island debut, Catch A Fire, which would begin Bob Marley’s meteoric rise to become the Third World’s first superstar, but didn’t make the final tracklist. However, positioned alongside the social commentary of ‘Concrete Jungle’ and ‘Stop That Train’, this soulful ditty of solidarity and friendship shows the scope of Marley’s songwriting even at this early stage and it is this sense of peace and love he would infuse much of his music with throughout his career.

What are your favourite B-sides and rarities? Let me know in the comments below.

[Artist Spotlight]: Bhi Bhiman

BhimanI’m just a vagabond, I live to see the light of dawn / The train beats a rhythm and I love to sing along”

 It’s nice to be back. During my European excursion with my old flatmate we managed to catch Josh Ritter’s magnificent show at the Paradiso in Amsterdam. The Paradiso is a beautiful venue and Ritter delivered a killer set with the Royal CIty Band, bringing the songs of The Beast in its Tracks to full, brimming life. Old standards were also mixed in (including Ritter’s beautiful, solo take of Bruce Springsteen’s ‘The River’) and throughout the gig Ritter grinned and bounded around like an excitable spaniel. I could easily fill this article with a note-by-note play of the show, but the reason I’m writing this is to share the music of one Bhi Bhiman (pronounced ‘Bee Bee-man’), who supported Ritter at the show.

 A former member of San Francisco’s Hippie Grenade, Bhi Bhiman’s folk-country singer-songwriter (and other double-barrel categorisations) leanings completely bely his early influences of AC/DC, Black Sabbath and Soundgarden’s Kim Thayil, who Bhiman cites as a particular influence. Picking up the guitar as a teenager when a sporting injury temporarily put him out of action, Bhiman eventually decided to pursue a career in music and has honed his storytelling skills into something very special. On his second album, Bhiman (produced by Josh Ritter producer/band member, Sam Kassirer), his stories range from women and blood (the signatures of country ballads) to railroad drifters and North Korean prisoners. He is also capable of skillfully reinterpreting songs on his damn fine covers EP Substitute Preacher, songs from which I will share in an upcoming Cover Me.  His rocksteady rhythm guitar playing keeps the songs chugging along and is reminiscent of Johnny Cash’s sound, but on tracks such as ‘Mexican Wine’ and ‘Time Heals’ he also shows influences of World music, particularly South African melodies.

Other than his storytelling skills and his ear for a sublime melody Bhiman’s most outstanding quality, the one that caught my attention in Amsterdam, is his crisp and emotive vocals which cut right through the mix. His vocal delivery and timing are flawless, demanding attention and carrying the listener into the stories he spins. He is a truly remarkable performer and is sure to become a heavyweight figure of New Americana, concealed by a benign, welterweight appearance.

Bhiman  and Substitute Preacher are both available now on Tummy Touch Records. Bhi Bhiman will also be supporting Chris Cornell on his upcoming US tour.