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Seen most recently supporting neo-soul Q.U.E.E.N. and fellow Atlantan Janelle Monae on tour, Cody ChesnuTT has also been carving out his own distinctive brand of rock ‘n’ soul in recent years. After splitting from L.A. rockers The Crosswalk in 2000, ChesnuTT set up a makeshift studio in his bedroom and sequestered himself for several months with a handful of instruments and a 4-track recorder to produce 2002’s critically acclaimed double album The Headphone Masterpiece. A genre hopping gumbo indebted to a love of rock ‘n’ roll, The Headphone Masterpiece turned a lot of heads with its prodigious musicality and lo-fi aesthetic, landing ChesnuTT on tours with Erykah Badu and The Roots. A subsequent guest slot on The Roots’s Phrenology for their cover of ChesnuTT’s ‘The Seed’, an appearance in Dave Chapelle’s Block Party and electrifying live performances only added to his growing cult status, yet ChesnuTT would not put out his second full-length album for another ten years. Following a quiet period of family life and reflection, punctuated by the release of Black Skin No Value EP in 2010, ChesnuTT returned with the smoking hot Landing On A Hundred in 2012. True to his bedroom basics roots, ChesnuTT has now chosen to make the Kickstarter funded album available for free over at Noisetrade, parcelled up with guest remixes and juicy outtakes from recording sessions at Memphis’s Royal Studios.
Like its predecessor, Landing On A Hundred covers a wide range of musical flavours and life issues, from socially conscious jams like ‘Under the Spell of the Handout’s honky-tonk funk and the gospel redemption of ‘Everybody’s Brother’, to ‘That’s Still Mama’s inner city holler and the sweet Sam Cooke-isms of ‘Love Is More Than a Wedding Day’. Meanwhile, the B-sides and remixes reveal even further scope and depth. The softly caressing lullaby of ‘Listen’ is counterpointed by country-blues stomper ‘Gunpowder On The Letter’, featuring searing leads from Gary Clark Jr., while in the hands of The Roots drummer and frontman Questlove ‘What Kind Of Cool’s shuffling beat is slowed to a soporific haze and an Eddie Hazel-worthy fuzzed-up solo leads out of the fog. Make no mistake, it’s a headphone masterpiece worth checking out