There are good covers, and there are bad covers. These are some I think belong in the former category.
Dead Kennedys – ‘Viva Las Vegas’ (Originally by Elvis Presley)
Appearing at the tail end of their 1980 debut Fresh Fruit For Rotting Vegetables, Dead Kennedys had been playing the Elvis Presley show tune since their early days. Stripped down and revved up, this version simmers with reckless abandon and the anarchic humour in Jello Biafra’s reworked lyrics of a coked up gambler rings truer than the original’s optimism. Fittingly, the Kennedys’ version appeared in Terry Gilliam’s leering film adaptation of Hunter S. Thompson’s Fear and Loathing In Las Vegas.
Nouvelle Vague – ‘Too Drunk To Fuck’ (Originally by Dead Kennedys)
Almost at the other end of the spectrum, this take on Dead Kennedys’ fourth single is slowed to sultry, bossa nova groove. Bringing their distinctive knack for transposing punk and new wave songs to a lounge jazz setting effectively, Nouvelle Vague put ‘Too Drunk To Fuck’ in a drinks party and what it might be missing in Biafra’s manic energy is made up for by Camille Dalmais’s amusing and bubbly delivery.
Seu Jorge – ‘Rock n’ Roll Suicide’ (Originally by David Bowie)
Seen here in his Team Zissou garb on the good ship Belafonte, Brazilian actor Seu Jorge’s major contribution to The Life Aquatic With Steve Zissou was to reinvent a slew of early David Bowie songs as Portuguese acoustic ditties. Hearing these versions Bowie himself said “Had Seu Jorge not recorded my songs acoustically in Portuguese I would never have heard this new level of beauty which he has imbued them with”. Brimming with charm, Jorge’s covers are the masterstroke in Wes Anderson’s absurd nautical adventure.