[From The Cutting Room Floor]: The Beatles, Marvin Gaye and The Gaslight Anthem

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Often, seeking out new music can feel like a treasure hunt (or sweeping a minefield, depending on how you look at it). And every now and then you will come across those completely unexpected diamonds-in-the-rough that appear in the form of B-sides, outtakes or bootlegged live cuts. Those happy moments where you stumble across something that stops you in your tracks and think ‘Why is this only a B-side?’. This feature is about digging out those deeper cuts that deserve more attention than mere relegation.

‘Don’t Let Me Down’ – The Beatles
I’m going straight for the jugular this week. Gracing the other side of the Get Back single, this should really qualify as a double A-Side. Written by John Lennon as an ego-free plea to Yoko Ono, ‘Don’t Let Me Down’ is The Beatles at their most soulful, in my opinion. Lennon and McCartney’s hollering vocals channel Otis Redding, oozing with conviction alongside a Stax influenced keyboard that gives a soul-tinged vibe, while the intelligent countermelodies during the alternate verses and George Harrison’s slinky lead guitar gesture to the psychedelic leanings of their middle period. It was one of the songs played during The Beatles last public performance on the roof of Apple’s Saville Row headquarters on 30th January 1969 and remains a testament to the power and inventiveness of possibly the 20th century’s defining band.

‘I’m Going Home’ – Marvin Gaye
A studio outtake from the recording sessions for Gaye’s seminal soul masterpiece What’s Going On (read why it’s a masterpiece here), ‘I’m Going Home’ took fifteen years to surface until it was featured on 1986’s  Motown Remembers Marvin Gaye and served as a reminder to the talent which had been lost only two year’s previously. In many ways, ‘I’m Going Home’ condenses a lot of What’s Going On‘s narrative themes 0f family, urban strife and homecoming into five minutes, but musically it has a lot more in common with the emerging funk sound which Gaye would explore on his following albums Let’s Get It On and I Want You. Either way, it’s an irrepressibly catchy slice of funk which should not be missed.

‘She Loves You’ – The Gaslight Anthem
Not a Beatles cover, as I initially thought it to be. ‘She Loves You’ appeared on the flip side of their vinyl-only Tumbling Dice single (their last release with SideOneDummy) and is probably Brian Fallon’s most simple and direct love song. Backed by a simple guitar figure and a shuffling beat, Fallon achingly rhapsodises about rainy nights, broken love and the small certainties that pull us inexorably towards tomorrow, like flotsam and jetsam cast ashore on the tide.

What are your favourite B-sides and rarities? Let me know in the comments below.

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