[From The Cutting Room Floor]: The White Stripes, Arctic Monkeys and The Doors


Often, seeking out new music can feel like a treasure hunt (or sweeping a minefield, depending on how you look at it). And every now and then you will come across those completely unexpected diamonds-in-the-rough that appear in the form of B-sides, outtakes or bootlegged live cuts. Those happy moments where you stumble across something that stops you in your tracks and think ‘Why is this only a B-side?’. This feature is about digging out those deeper cuts that deserve more attention than mere relegation.

‘Let’s Shake Hands’ – The White Stripes
Not a B-Side, but given that only 2,500 pressings of this release exist and that it wasn’t featured on any of The White Stripes’s studio albums it certainly qualifies as rare. Landing in 1998 on a limited 7″ run of 500, this single marked The White Stripes’s first recording and as a statement of intent they don’t come more definitive than this. Racing along on Jack White’s frenetic riffing and Meg White’s relentless drum pounding before clocking in at just over two minutes, this is taut, visceral garage punk at it’s best. It was paired with their ragtime version of Marlene Dietrich’s ‘Look Me Over Closely’, showing that the band had more than one string to their bow and singled them out as one to watch

‘You And I’ – Arctic Monkeys Feat. Richard Hawley
Crediting themselves as The Death Ramps on the B-Side to 2012’s Black Treacle, a pseudonym the band had used previously to anonymously release limited singles, Arctic Monkeys shift into fifth gear on this speeding road anthem. Sheffield’s elder songsmith, Richard Hawley, gives his meanest whisky-and-cigarettes-stained vocal delivery before the band head full-pelt into some scuzzy and searing solos. The whole track drips with attitude and quite frankly blows A-side ‘Black Treacle’ out of the water.

‘Who Do You Love’ – The Doors Feat. Albert King
When you can tour with blues giant Albert King as your opening act, you know you must be doing something right. Although their live acts courted much controversy in the preceding year and Jim Morrison would suffer an apparent breakdown onstage later in the year, forcing the band as a live unit into early retirement, performing here in June 1970 in Vancouver it is impossible to deny the elemental force The Doors wielded onstage. With Albert King invited onstage to provide slide duties and powered by Ray Manzarek’s groovy organ hook, the band burn their way through Bo Diddley standard ‘Who Do You Love’. While during this period Morrison’s performances were something of a crapshoot depending on how intoxicated he was, during this concert he is at his roaring best, a blues shaman channeling energy from somewhere else. As one of the last recorded performances and with Morrison dead within a year, this concert remains a testament to The Doors’s short lived greatness live.

What are your favourite B-sides and rarities? Let me know in the comments below.


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s