[From The Cutting Room Floor]: Eels, The Rolling Stones & Tom Waits


Often, seeking out new music can feel like a treasure hunt (or sweeping a minefield, depending on how you look at it). And every now and then you will come across those completely unexpected diamonds-in-the-rough that appear in the form of B-sides, outtakes or bootlegged live cuts. Those happy moments where you stumble across something that stops you in your tracks and think ‘Why is this only a B-side?’. This feature is about digging out those deeper cuts that deserve more attention than mere relegation.

‘Your Mama Warned You’ – Eels
A funky slice of ska influenced rock n’ roll appearing on the deluxe edition of last year’s aptly titled Wonderful, Glorious. Vitriolic and spitting feathers, E delivers a gruff reprisal against a backdrop of snarling guitars and pounding drums.

‘No Expectations’ – The Rolling Stones
Hard to believe this was ever pitched as a B-side to ‘Street Fighting Man’, for me it is one of the most enduring and emotive Stones songs. Brian Jones’s slinky and resonant slidework here is one of the last contributions he made before quitting the band and his death which swiftly followed, giving added poignancy to the line “Our love is like our music, it’s here and then it’s gone”.

‘I Want You’ – Tom Waits
Appearing on the Early Years Vol. 2 collection, which compiles glimmers of Waits’s early Kerouacian balladry that didn’t make the grade, ‘I Want You’ is a short and sweet throwaway ditty. It’s beauty is in it’s simplicity, for Waits distills into just over a minute what centuries of artists have spilt gallons of ink, paint, sweat and tears over. Tender, sincere and utterly sublime.

What are your favourite B-sides and rarities? Let me know in the comments below.


2 thoughts on “[From The Cutting Room Floor]: Eels, The Rolling Stones & Tom Waits

    • Definitely in my top three Stones songs. From what I know it’s a bit of a chicken/egg situation with Jones’s dismissal. He was getting increasingly tired of being Mick and Keef’s whipping boy who had become the prolific songwriting partnership of the group. Of course, his erratic behaviour made it impossible for the rest of the band to work with him and they did ask him to stand down. It really depends on how you look at it whether he jumped or was pushed.

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