Arctic Monkeys – ‘I Wanna Be Yours’ (Originally by John Cooper Clarke)
Not exactly a cover, so much as a setting of words to music. The influence of John Cooper Clarke’s wordplay has long been evident in Alex Turner’s lyrics and since the Monkey’s last trio of albums has lead them to L.A. and back it seems fitting for their latest offering to come full circle and finish with Carke’s kitchen-sink poetry. Turner’s Sheffield brogue is a perfect foil for Clarke’s Salford drawl as he delivers lines like “Let me be your ‘leccy meter, And I’ll never run out”. Meanwhile, the shuffling beat and swirls of oscillating guitar hold a strong tie to Nick Cave and the Bad Seeds’s ‘Loverman’ (the band have also covered Cave’s ‘Red Right Hand’, from the same album). Positioned at the end of the album, this song of longing proves to be the woozy hangover at the end of AM‘s long, heavy night.
Mazzy Star – ‘Five String Serenade’ (Originally by Arthur Lee)
Mazzy Star recently released their first album in seventeen years, Seasons of Your Day, and it reminded me of this little beauty from 1993’s So Tonight That I Might See. Originally penned by Arthur Lee of Love, the song choice really lays out the shared Californian genealogy between the two bands. Both bands have a knack for hazy and psychedelic melodies. However, while Arthur Lee’s psych-tinged original wallows amid waves of chorused guitar and shimmering strings, David Roback and Hope Sandoval’s take really accentuates the lullaby at the heart of the song. Roback slows the pace down to a slow dance, accentuating each note in the arpeggio, while the swathes of strings in the original are condensed to a sparse string section. Floating between these and the occasional tambourine shimmer is Sandoval’s sultry drawl, which complete’s the song’s soporific atmosphere. The song lies nestled at the centre of So Tonight That I Might See, and is a spellbinding moment of tender magic.
Johnny Cash – ‘If You Could Read My Mind’ (Originally by Gordon Lightfoot)
It has been ten years since the loss of Johnny Cash, whose American Recordings albums remain a tribute to his power as a performer and a songwriter even in his final years of deteriorating health. His output was so prolific at this stage that he left behind three album’s worth of recorded material that were released after his death. It seems that he was a man wanting to set the record straight before he checked out, and nowhere does this come across as strongly than in his versions of ‘Hurt’ and ‘If You Could Read My Mind’. The latter was penned by Canadian songwriter Gordon Lightfoot and is one of the most evocative and accurate account of a dissolving relationship I have ever come across. Lightfoot’s original was already pretty poignant, but in Cash’s hands the song takes on a whole new poignancy. As with all American Recordings covers, ‘If You Could My Mind’ is stripped down to its very essence, with barebones instrumentation. But, as ever, it is Cash’s entrancing vocals that really clinch it. His voice is recognisable but quavers, betraying his years and deteriorating health, forming cracks in the deep and confident voice which sang ‘I Walk the Line’ and ‘Folsom Prison Blues’. It is the audible hesitation when singing “I’m just trying to understand” and “I just don’t get it” which cuts through to the core. It gets me every time. Rest in peace, Johnny.